"Keith Mayerson (b. 1966, Cincinnati, Ohio) paints familiar figures from American history and pop culture, personal scenes, and abstract “iconscapes.” Mayerson mines the histories and cultural resonance of his subjects—the Muppets, gay activists and icons, and national parks are all part of his extensive cosmology—transforming them into allegories of resilience and determination. Informed equally by his undergraduate education in semiotics and his decades of teaching cartooning in addition to fine art, Mayerson considers his paintings to be embodiments of national sentiments. Using meditative brushstrokes, he channels the French Impressionists, American modernists, and the Hudson River school in equal measure. Like a method actor, Mayerson immerses himself in media related to his subjects while he paints, inviting his subconscious to take over, leading to a practice that is at once research-based and psychologically-driven. His exhibitions are often installations of images that create larger narratives by juxtaposing paintings that speak to one another like panels in a comic. Since 2000, his ongoing, non-linear narrative My American Dream series has been presented in discrete exhibitions as chapters. He is a tenured professor of art at the Roski School of Art and Design at the University of Southern California, where he has also created a visual narrative art program. Mayerson lives in Riverside, California." – KARMA Gallery
Matthew Satz (b. Brooklyn, New York, 1971) is a contemporary artist based on the East End of Long Island. Alternately inspired by and haunted by the ghosts of the Hamptons, he refuses to accept their visual hypotheses as problems definitively solved. He insists upon new futures for painting as a living medium. This attitude has resulted in a radical use of unconventional materials as well as new methods of applying said materials. While some of these paintings exist in active conversation with historical works, others are more introspective, belonging to an inner dialogue between the artist and himself. He is recognized for his conceptually driven, process-oriented work. His work is held in public and private collections which include Yale University, Parrish Art Museum, Guild Hall Museum, Pollock–Krasner House and Study Center, and Sloan Kettering Memorial Cancer Center. He has exhibited in solo and group exhibitions the world over.
Elaine de Kooning (1918-1989) fue una figura clave del arte estadounidense posterior a la Segunda Guerra Mundial. Como pintora expresionista abstracta de primera generación y como una de las retratistas más destacadas de su época, el gesto expresivo de de Kooning no se ciñe a ningún género.
Emily Hopkins (1993) es una arpista electroacústica y compositora profesional de Long Island, Nueva York. Hopkins se ha ganado una reputación de artista vanguardista que mezcla técnicas clásicas del arpa con tecnología musical emergente, como efectos de pedal, sintetizador modular y otras formas de manipulación del sonido. Emily Hopkins es licenciada en Interpretación Musical y Estudios Mediáticos por el programa Muse Scholar del Hunter College de la CUNY. Hopkins fue miembro de The Metropolitan Youth Orchestra of NY, actuando en Carnegie Hall en 2009, y es miembro desde 2012 de MTA MUSIC (Music Under New York). Entre sus trabajos más recientes destacan su participación en el largometraje de DreamWorks Ruby Gillman, Teenage Kraken (2023) y la composición de la banda sonora de Heavenly Vessel, del estudio de animación The Line. Ha dado a conocer el arpa a una nueva generación a través de su canal de YouTube: youtube.com/emilyharpist.
Eric Haze (1961) comenzó su carrera como grafitero junto a artistas de la talla de Keith Haring y Jean-Michel Basquiat. Tras licenciarse en la Escuela de Artes Visuales de Nueva York en 1985, se dedicó al diseño gráfico y abrió su propio estudio en 1986. Como diseñador, Haze ayudó a definir la iconografía del hip hop trabajando para clientes como los Beastie Boys y LL Cool J. Ha participado en exposiciones colectivas e individuales en todo el mundo.
Han Qin (1987) es artista visual, investigador y periodista de arte residente en Long Island (Nueva York) y Hangzhou (China). Profesor adjunto del Chancellor Award en el departamento de arte de SUNY Stony Brook, Han fue galardonado con el premio NYSCA 2023 de Cine, Medios de Comunicación y Nuevas Tecnologías y es miembro fundador de la US Immigrant Artist Network y miembro del Comité Ejecutivo de la Chinese American Art Faculty Association. La exposición "Pequeñas imágenes" abarca veinte años de la carrera de Han, inspirándose en la serie homónima de Lee Krasner y en las circunstancias en que se creó esa obra.
Marie-Claire Chabauty is a visual artist from Montreal, Quebec, Canada and the inaugural artist-in-residence for a joint residency program hosted by the Pollock-Krasner House and the Elaine de Kooning House. The two historic sites, former homes and studios to three of the most influential painters in American history, welcome Chabauty to complete a series of intimate portraits of both properties and their surroundings. Chabauty's approach typically begins with photography before extracting the formal elements out of the images through paint. From Chabauty's artist statement: "I mostly use acrylic. I paint directly on the surface with bold colors. By focusing on shapes, the subject is reduced to its formal element and becomes abstract. I paint all the elements of one color, then all the elements of a second color, and so on and so forth. It’s like painting by numbers without a drawing to follow. By doing so, I provoke distortions, simplifications, overlaps, omissions. I enjoy the surprise of that first layer. The painting becomes its own narrative. Finally, I figure out how to balance out beauty and oddity, detailed and simplified, mastered and raw. I think consciously about visual language when I paint; shapes, colors, textures, composition. I don't think about the meaning of the image during the process. I trust that the final painting will have enough elements, and enough space in between those elements, for the viewer to project their own thoughts and questions onto the painting. In retrospect, I see the following themes surfacing over and over again: spectacle/spectator, relationships, strength/vulnerability, mortality/memory, time, metamorphosis, paranormal, mysterious, monsters, hybrids, mythology."
Rosalyn Drexler (1926) es una artista visual, novelista, dramaturga e intérprete afincada en Nueva York. Considerada pionera del movimiento Pop Art estadounidense, su polifacética obra no es fácil de clasificar. En la década de 1950, poco después de formar una familia con el artista Sherman Drexler, comenzó a viajar por Estados Unidos como luchadora profesional para escapar de la asfixiante atmósfera de su vida familiar. A su regreso, empezó a exponer esculturas expresionistas que había hecho en casa, antes de iniciar su célebre carrera pictórica. El espíritu infatigable de Drexler ha dado lugar a la publicación de nueve novelas, la puesta en escena de docenas de obras de teatro, innumerables exposiciones colectivas e individuales, y una obra que se enfrenta con cruda honestidad a la realidad, a veces dura o grotesca, de la vida moderna.
Simon Waranch (1999) es un escultor afincado en Dallas, Texas. Formado en técnicas de soplado de vidrio veneciano, Waranch también practica la escultura en metal, madera y silicona, así como exploraciones bidimensionales con técnicas mixtas. En todos los medios, sus formas, a veces lúdicas, a veces sensuales, a veces clásicas, danzan entre el objeto y el organismo, impregnadas de su propio entusiasmo por la vida. En la obra de Waranch, la frontera entre el arte y la vida se disuelve y uno se funde libre y extáticamente en el otro. Graduado por el Booker T Washington High School for the Performing and Visual Arts y el College for Creative studies de Detroit, la obra de Waranch forma parte de las colecciones permanentes del Longview Museum of Fine Art, el Imagine Museum y el Museum of the Southwest. Su obra ha sido objeto de seis exposiciones individuales en museos y numerosas exposiciones colectivas en todo el mundo.
